may 06, 2024

RU/EN

Headings of Vestnik

June 2022, № 3 (235), pages 110-117

doi: 10.25198/1814-6457-233-110

Yanshina M.M., Tarasova O.P., Haliullina O.R. THE HERITAGE OF THE SARMATIANS IN THE PRACTICE OF FORMING THE DESIGN CULTURE OF THE FUTURE COSTUME DESIGNERProject culture as a “superlevel of the project process” (O.I. Genisaretsky) begins to form in the professional education of the future designer with his active involvement in research activities and understanding of its value. A pre-project study based on the analysis of historical, value, socio-cultural, environmental and other contexts makes it possible to temporarily abstract from the practical and methodological approach, which is exceptionally key in understanding students at the initial stage of training. The presence of weak ideas about the above-mentioned contexts limits the functions of design in improving the environment and developing culturally significant processes in society. Therefore, an important pedagogical task is to involve the student in solving socio-ecological, ethno-cultural, spiritual and practical problems in project practice.
The typology of value-semantic problem-project tasks developed at the Department of Design of Orenburg State University, involving the performance of extensive research work, reflecting the socio-cultural significance of the design industry and regional specifics, as well as actualizing the subjective position of the future designer, in our opinion, ensures the professional and personal development of the student and the formation of his project culture. Among them are level research tasks in the discipline “Conceptual Design”, tasks for the phased implementation of a conceptual idea in the discipline “Project execution in the material”, a set of questions, tasks and tests for independent research and self-control.
The fund of these humanitarian-oriented project tasks also includes the topics of final qualifying works. The article presents the logic of the implementation of the diploma project of modern women’s clothing based on the material culture of the Sarmatians. The creation of such a collection requires a deep immersion of the future designer into the life and way of life of the people, the use of various methods of scientific research, in the extrapolation of cultural heritage to modernity and the value self-determination of the student necessary for the personal implementation of the project process. As a result, axiological, ecological, cognitive and other components of the design culture of the future designer are formed.Key words: sarmatian heritage, project culture, pre-project research, costume design, collection of modern clothes.

Download

References:

1. Oleg Igorevich Genisaretsky: project culture and conceptualism. Gumanitarnyj portal [Humanitarian Portal]. ISSN 2310-1792. Available at: https://gtmarket.ru/library/articles/2682?ysclid=l8pn7kvxor195692344

2. Gladkikh V.G., Tarasova O.P., Shevchenko O.N. Creativity of the future designer. Vysshee obrazovanie v Rossii [Higher education in Russia], 2009, No. 3, pp. 131-136.

3. Weimarn B.V., Shantyko N.I. Istoriya iskusstva narodov SSSR: v 10 t. Iskusstvo pervobytnogo obshchestva i drevnejshih gosudarstv na territorii SSSR [History of Art of the Peoples of the USSR: in 10 vols. The Art of primitive society and ancient states on the territory of the USSR]. Moscow: Fine Arts, 1971, vol. 1, 361 p.

4. Yatsenko S.A. Costume of the Iranian-speaking peoples of antiquity and methods of its historical and cultural reconstruction. Candidate’s thesis. M., 2005, 669 p.

5. Yablonsky L.T. Zoloto sarmatskih vozhdej. Elitnyj nekropol’ Filippovka 1 (po materialam raskopok 2004-2009 gg.). Katalog kollekcii. [The gold of the Sarmatian leaders. Elite necropolis Filippovka 1 (based on the materials of excavations in 2004-2009). Collection catalog]. Book 1. Moscow: IA RNA, 2013, 232 p.

6. Huseynov G.M., Ermilova V.V., Ermilova D.Y. Kompoziciya kostyuma: ucheb. posobie dlya vuzov [Costume composition: textbook, handbook for universities]. 2nd ed. Moscow: Academy, 2004, 432 p.

7. Gorina G.S. Modelirovanie formy odezhdy [Modeling of the form of clothing]. Moscow: Light and Food industry, 1982, 184 p.

8. Gorina G.S. Narodnye tradicii v modelirovanii odezhdy [Folk traditions in clothing modeling]. Moscow: Light Industry, 1974, 183 p.

9. Kozlova T.V., Ilyicheva E.V. Stil’ v kostyume HKH veka: uchebnoe posobie dlya VUZov [Style in the costume of the twentieth century: a textbook for universities]. M.: Kosygin Moscow State Technical University, 2003, 160 p.

10. Kozlova T.V. Hudozhestvennoe proektirovanie kostyuma [Artistic costume design]. M.: Light and food industry, 1982, 144 p.

11. Mizonova N.G. The use of traditions of national culture in the work of Russian fashion designers of the twentieth century. Extended abstract of candidate’s thesis: 17.00.06. Moscow, 2013, 24 p.

12. Parmon F. M. Hudozhestvennoe proektirovanie kostyuma [Costume composition: clothes, shoes, accessories: studies for universities]. 2nd ed., reprint. and rev. Moscow: Light Industry, 1997, 318 p.

13. Savelyeva I.N. Zakonomernosti garmonii v kostyume narodov Rossii [Regularities of harmony in the costume of the peoples of Russia]. Moscow: Informizdanie, 2002, 202 p.

14. Savelyeva I. N. Metodika provedeniya NIRS po narodnomu kostyumu: ucheb. posobie [Methodology of conducting research on folk costume: textbook]. Moscow: Russian Correspondence Institute of Textile and Light Industry, 2000, 40 p.

15. Serova T.M. Classification of system components of costume complexes of the indigenous peoples of Dagestan. Extended abstract of candidate’s thesis: 17.00.06. Moscow, 2018, 24 p.

16. Star I.A., Design aspects of the interaction of the phenomena of traditional costume and modern fashion (on the example of the clothing of the northern peoples of Khanty and Mansi). Extended abstract of candidate’s thesis: 17.00.06. Moscow, 2004, 24 p.

17. Strizhenova, T. K. Iz istorii sovetskogo kostyuma [From the history of Soviet costume]. Moscow.: Soviet Artist, 1972, 112 p.

18. Upine A.M. Design of fish skin products (traditions of the peoples of Siberia and modernity). Extended abstract of candidate’s thesis: 17.00.06. Moscow, 2002, 18 p.

19. Upine A.M. The experience of designing modern products using fish skins based on the traditions of ethnodesign. Moda i dizajn: istoricheskij opyt — novye tekhnologii: sb. nauch. tr. Mezhdunar. nauch. konf. [Fashion and design: historical experience — new technologies: collection of scientific tr. International Scientific Conference]. St. Petersburg: SPb GUDT, 2001, pp. 48-49.

20. Kolesnikova I.A., Gorchakova-Sibirskaya M.P.; edited by Kolesnikova I.A. Pedagogicheskoe proektirovanie: uchebnoe posobie [Pedagogical design: textbook]. M.: Publishing Center “Academy”, 2005, 288 p.

About this article

Authors: Yanshina M.M., Tarasova O.P., Haliullina O.R.

Year: 2022

doi: 10.25198/1814-6457-233-110

Editor-in-chief

Sergey Aleksandrovich
MIROSHNIKOV

© Электронное периодическое издание: ВЕСТНИК ОГУ on-line (VESTNIK OSU on-line), ISSN on-line 1814-6465
Зарегистрировано в Федеральной службе по надзору в сфере связи, информационных технологий и массовых коммуникаций
Свидетельство о регистрации СМИ: Эл № ФС77-37678 от 29 сентября 2009 г.
Учредитель: Оренбургский государственный университет (ОГУ)
Главный редактор: С.А. Мирошников
Адрес редакции: 460018, г. Оренбург, проспект Победы, д. 13, к. 2335
Тел./факс: (3532)37-27-78 E-mail: vestnik@mail.osu.ru