Yanshina M.M.
DISCIPLINE “COLOR SCIENCE AND COLORISTICS” IN THE TRAINING PROGRAM FOR THE PROFILE “ART AND TECHNICAL EDITING” ^{[№ 4 ' 2023]}
“Color science and coloristics” is one of the fundamental disciplines in the training programs for students at the Department of Design of OSU. In the process of studying this discipline, students master the following professional competence: (PC-2) “Able to participate in the formation and implementation of artistic, figurative, compositional and coloristic concepts in the original layout of book, newspaper, magazine, and electronic publications”.
In order to successfully master the course on color science and coloristics by future artistic and technical editors, the curriculum of the training direction 42.03.03 Publishing includes lectures and practical classes, the implementation of an individual creative task (ICT), and self-study. The authors of the course are S.G. Shleyuk and M.M. Yanshina has developed a series of tasks that allow students to develop practical skills in working with color. The course program takes into account the characteristics of applicants entering this area of training — the lack of additional art education. Information about materials and tools is given in more detail, and more academic hours are devoted to practical classes.
A series of practical assignments begins with working with the achromatic scale, allowing students to master skills in handling tools and materials and understand the principles of working with paints. Then a transition is made to the chromatic scale, the three-component theory of color mixing, the laws of color harmony, types of color contrasts, and the psychological effect of color on a person. In order to develop associative flexibility, the following tasks and exercises are used: drawing up color compositions that artistically reproduce the most important emotional states (joyful and sad): joy, sadness, aggression, tenderness, etc. All tasks are performed using free graphic techniques.
The course is completed with an assignment to develop a formal color composition and an individual creative assignment “Color Wheel”, which allows one to draw a conclusion about the quality of the acquired professional skills and the level of competence.

Yanshina M.M., Tarasova O.P., Haliullina O.R.
THE HERITAGE OF THE SARMATIANS IN THE PRACTICE OF FORMING THE DESIGN CULTURE OF THE FUTURE COSTUME DESIGNER ^{[№ 3 ' 2022]}
Project culture as a “superlevel of the project process” (O.I. Genisaretsky) begins to form in the professional education of the future designer with his active involvement in research activities and understanding of its value. A pre-project study based on the analysis of historical, value, socio-cultural, environmental and other contexts makes it possible to temporarily abstract from the practical and methodological approach, which is exceptionally key in understanding students at the initial stage of training. The presence of weak ideas about the above-mentioned contexts limits the functions of design in improving the environment and developing culturally significant processes in society. Therefore, an important pedagogical task is to involve the student in solving socio-ecological, ethno-cultural, spiritual and practical problems in project practice.
The typology of value-semantic problem-project tasks developed at the Department of Design of Orenburg State University, involving the performance of extensive research work, reflecting the socio-cultural significance of the design industry and regional specifics, as well as actualizing the subjective position of the future designer, in our opinion, ensures the professional and personal development of the student and the formation of his project culture. Among them are level research tasks in the discipline “Conceptual Design”, tasks for the phased implementation of a conceptual idea in the discipline “Project execution in the material”, a set of questions, tasks and tests for independent research and self-control.
The fund of these humanitarian-oriented project tasks also includes the topics of final qualifying works. The article presents the logic of the implementation of the diploma project of modern women’s clothing based on the material culture of the Sarmatians. The creation of such a collection requires a deep immersion of the future designer into the life and way of life of the people, the use of various methods of scientific research, in the extrapolation of cultural heritage to modernity and the value self-determination of the student necessary for the personal implementation of the project process. As a result, axiological, ecological, cognitive and other components of the design culture of the future designer are formed.

Yanshina M.M.
COMPARATIVE ANALYSIS OF ART AND DESIGN PRODUCTS GARTER ORENBURG PUHOVYAZALNY FISHERIES ^{[№ 5 ' 2015]}
The article refers to the Orenburg puhovyazalnom fisheries as one of the world's most famous cultural phenomena, and the primary product of fishing — knitted scarf. Orenburg shawl is considered from the standpoint of theoretical and methodological principles of design. The study was conducted Garter products by the method of Art and Design Analysis (ADA) to determine the harmonization of the laws of garter products and then use these patterns to design the design of various items of clothing using the Orenburg goat down. Gathering material for ADA produced by documentary observation. Photographic materials obtained from various sources: Factory site Orenburg downy shawls, site of "Orenburg puhovnitsy" books about Orenburg shawl. The system ADA reviewed 337 products Garter assortment of hand and machine manufacturing. Art and design analysis — a characteristic compositional and structural arrangement Towel products, including a 77 position (geometric form of shapes, lines, articulation, the presence of rhythm, symmetry, color, contrast, nuance, identity, composition and focus, etc.). The results of ADA installed the causes and consequences of changes in the positions of ADA. Determined by the proportion of invariable positions artistic design analysis as well as share options ADA, reduce and increase their performance. According to the study reached the following conclusions: do not change the position of ADA considered constant; are parameters to reduce their rates, considered as no longer valid due to the different kinds of causes; increase performance ADA position can not always be taken for innovation that enhance the aesthetic and technological boundaries fishing, bearing a positive character and showing the growth and development of the fishery. According to the results ADA assumptions were made about the directions of development of the fishery: the diversity of the range of products garter will be achieved through the development of technology of dyeing, the expansion of technological capabilities of the equipment, the emergence of new ornamental patterns knitting, applying surface treatments, integrating the technological objects in the structure of the yarn and knitted fabric.

Savelyeva I.N., Yanshina M.M.
EXPERIENCE WITH FLUFF ORENBURG GOATS AS A WARMING CUSHIONING MATERIAL IN THE DESIGN OF THE TOP WOMEN'S CLOTHING ^{[№ 5 ' 2014]}
Substantiated the idea of using the Orenburg goat down as cushioning material in the insulation design top design women's clothing. Art and Design conducted an analysis of women's feather collection. Identified and technological parameters of manufacturing products using goat down.

Tarasova O.P., Yanshina M.M.
FORMATION OF THE PROFESSIONAL COMPETENCE OF THE FUTURE DESIGNER IN EDUCATIONAL AND PROFESSIONAL WORK ^{[№ 5 ' 2014]}
Separate aspects of the maintenance of preparation of the future bachelors — designers in high school are characterized. Specificity estimations degrees formation professional competence the designer of a suit is opened during design activity. Kinds of competitive activity of the future designer are submitted. Influence of experience of competitive activity on increase of competitiveness of the future designer is investigated.