|
|
|
November 2023, № 4 (240), pages 138-144doi: 10.25198/1814-6457-240-138
Putintseva T.A. METHODOLOGICAL FOUNDATIONS OF TRADEMARK DESIGN IN CONTINUOUS DESIGN EDUCATIONA modern trademark, being the main element of corporate identity and participating in advertising processes, must have a number of qualities that ensure its high functionality. In this regard, there is a growing demand for training specialists with professionalism in trademark design. Deep knowledge of the principles of trademark design is required, the achievement of which becomes possible as a result of inclusion in the process of continuous design education of mastering the development of sign forms. The article discusses the current methodological aspects of the development of modern iconic forms in the context of continuous design education, which contributes to the successful solution of the designated problem. The high importance of the “cultural-ecological approach in trademark design”, “bionic approach in trademark design”, “collage design method” in trademark design is substantiated. The methodological foundations of the design of iconic forms and trademarks in the system of continuous design education – additional and higher – have been developed. The sequence of trademark development in the learning process has been compiled. The most significant technologies for finding creative solutions in the design of iconic forms have been selected. In the process of sketching at the stage of concept formation, brainstorming of various types, drawing up a brief and a mudboard, meaning formation in the form of associative mapping, “methods for eliminating deadlocks” are most effective. The most effective ways of depicting iconic forms have been identified, allowing for an optimal ratio of their figurativeness and informativeness in order to achieve their maximum expressiveness – “fitting into geometric shapes”, “fragmentation”, “overlapping”.Key words: trademark, logo, design education, graphic design, cultural and ecological approach, bionic approach, methodology.
References:
1. Arnheim, R. (1974) Art and visual perception. Trans. from English V.N. Samokhin. M.: Progress, 386 p.
2. Verkman, K. (1974) Trademarks: creation, psychology, perception. Translated. from English. Amsterdam, 519 p.
3. Garin, N.P. (2014) Theory of the circle (design process of the «ideal thing»). Bulletin of OSU, No. 5, pp. 85-89.
4. Zherdev, E.V. (2010) Metaphor in design. Proc. allowance. 2nd edition, revised. and additional. M.: Architecture-S, 464 p.
5. Zherdev, E.V. (2004) Metaphorical imagery in design. M.: Publishing house MCHA, 227 p.
6. Zherdev, E.V. and Mazurina, T.A. (2013) Russian branding strategy. Decorative art and object-spatial environment. Bulletin of MGHPA, No. 1, pp. 28-38.
7. Kondratyeva, K.A. (2000) Design and ecology of culture. M: MSAIS named after Stroganov, 106 p.
8. Lebedev, Yu.S. (1971) Architecture and bionics. M.: Publishing house. Literature on construction, 119 p.
9. Mazurina, T.A. (2008) Design of domestic trademark: symbolism and style: abstract of Diss..... of candidate of arts. M: LLC «Company Sputnik+», 26 p.
10. Mazurina, T.A. and Romashova, E.V. (2011) Skills in constructing modular grids as a means of achieving professional competence of students in the design of trademarks. Current problems of implementing educational standards of a new generation in the conditions of the university complex. Materials of the All-Russian Scientific and Methodological Conference; Orenburg State univ. Orenburg: OSU, pp. 1203-1213.
11. Mazurina, T.A. and Novikov, A.I. (2010) Trademarks: figurativeness and informativeness. Problems of environmental design of multi-ethnic regions of Russia: materials of the international scientific and practical conference. Orenburg: State Educational Institution OSU, LLC «Russervis», pp. 94-103.
12. Puzanov, V.I. (2007) Market design. Theory and methodology of design in the commodity-money circulation system. M.: VNIITE, 100 p.
13. Putintseva, T.A. (2021) Identity of youth events (on the example of competitive work within the framework of the project «Professional internships 2.0»). Social and humanitarian innovations: strategies for fundamental and applied scientific research: materials of the All-Russian. scientific-practical conf. (with international participation). Orenburg: OSU, pp. 856-862, 7 p.
14. Putintseva, T.A. (2015) Technologies for searching creative solutions in the design of «iconic forms». Bulletin of the Orenburg State University, No. 5, pp. 57-62, 6 p.
15. Reshetova, M.V. and Mazurina, T.A. (2013) Collage in the design culture of the 20th – early 21st centuries (on the example of trademarks). Decorative art and object-spatial environment. Bulletin of MGHPA. Moscow State Academy of Arts and Industry named after S.G. Stroganov, No. 3, pp. 223-236.
16. Sidorenko, V.F. (1994) Preface. Design in the educational system. M.: VNIITE, p. 7.
17. (2012) Technical aesthetics and design: Dictionary. M.: Academic project; Culture, 356 p.
18. Fedorov, M.V. (1998) Scientific-methodological problems of formation and development of domestic design: the dissertation in a form of a scientific report on competition of a scientific degree of the doctor of arts. M: VNIITE, 44 p.
About this article
Author: Putintseva T.A.
Year: 2023
doi: 10.25198/1814-6457-240-138
|
|
Editor-in-chief |
Sergey Aleksandrovich MIROSHNIKOV |
|
|