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Matyash S.A. POETIC TRANSLATIONS (ENJAMBEMENTS) OF N.M. KARAMZIN AND THE PROBLEM OF VERSE FORMS RECEPTIONThe article presents the results of the first study of verse division (enjambements) N.M.šKaramzin in the aspects of frequency and structure. In the background are considered predecessors and contemporaries Karamzin: V.K.šTrediakovskii, M.V.šLomonosov, A.P.šSumarokov, G.R.šDerzhavin, M.N.šMuraviev, I.I.šDmitriev. Identification and description of all these poets transfers made by the method of the author. The frequency and transfers Karamzin structure and other authors analyzed with differentiation by decade (80s, 90s the XVIIIšcentury, the 800-th, 10-ies the XIXšcentury). Context predecessors (classicists) and contemporaries (sentimentalists) shows innovation Karamzin: he carries more than those and other transfers on various structures. Consideration of transfers Karamzin in diachronic terms and with the projection in the background revealed the nature of the reception poet founder of Russian sentimentalism experience-classicists predecessors. The study found that the search for innovative poet occur in the early stages of creativity and convergence to its predecessorsš— in later. Repeated appeals to the Karamzin ode to say that Karamzin-sentimentalist rejecting tradition besperenosnogo classicists style and in different periods of creativity followed this style.Key words: Karamzin N.M., Trediakovskii V.K., Lomonosov M.V., Derzhavin G.R., Muraviev M.N., DmitrievšI.I., prosody, poetic transfer, enjambement, structure and transfer function , the history of Russian verse, verse forms reception.
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About this article
Author: Matyash S.A.
Year: 2016
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Editor-in-chief |
Sergey Aleksandrovich MIROSHNIKOV |
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