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November2016, №11(199)



Laletina O.S. POETIC INNOVATION OF N.M. KARAMZIN IN THE CONTEXT OF RUSSIAN SENTIMENTALISM (IDENTICAL STROFIKA)The article deals with the problem of poetic innovation N.M.Karamzin in the context of Russian literature XVIII— early XIXcenturies. The subject of this study is poetic aspect of innovation associated with strofikoy: focuses on the complex correlation analysis of a system of identical verses in the poet. Against the background of the poetry of senior and junior classicists works Karamzin written identical stanzas, show relatively small variety of strophic types klauzulnyh options rifmovok schemes poetic dimensions. Meanwhile, based on a limited number of combinations of parameters verse Karamzin formed extremely varied strophic model: in the 50works of the poet sold 30models, that is, on every model in his work accounts for only 1.7product, which is significantly less than that of other poets XVIIIcentury. Using strophic models in consideration of the text is not due to Karamzin genres and compositional forms of speech, the specificity of which is determined as the dominant feature of the text of the speech utterance. The results of correlation analysis strophic models with composite-speech models in the works of different sizes allow us to conclude that in the context of a difficult verse searches abroad XVIII—XIXcenturies Karamzin has chosen a highly original way to upgrade Russian poetry. During classicism crisis, when the genre boundaries are becoming increasingly blurred, broken Sticky verse sizes and strophic forms to genres, Karamzin attempted to create an entirely new poetic system, which forms the verse, by analogy with the solid poetic forms, acquiring the status of closed verse models inherent subject-shaped, genre and thematic and compositional constants.Key words: literature, poetics, prosody, the history of Russian literature, the history of Russian poetry, Russian literature, Russian poetry, sentimentalism, N.M.Karamzin.

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About this article

Author: Laletina O.S.

Year: 2016


Editor-in-chief
Sergey Aleksandrovich
MIROSHNIKOV

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