Vestnik On-line
Orenburg State University november 20, 2024   RU/EN
Headings of Vestnik
Pedagogics
Psychology
Other

Search
Vak
Антиплагиат
Orcid
Viniti
ЭБС Лань
Rsl
Лицензия Creative Commons

May 2015, № 5 (180)



Grigoriev A.D., Zakharchenko T.U. THE CONCEPT DEVELOPMENT OF DIGITAL ARTArt has always actively respond to both changing social structures and relationships. Design is the main conductor of the contemporary art form as Digital Art.In this paper, digital art is considered by us as a philosophical and conceptual direction in art that goes beyond the graphic and traditional principles of art. The origins of art "Digital Art" lie in contemporary artistic movements — Dadaism. Dada (Dadaisme) is interpreted as a reaction to the tragedy and pointlessness of the First World War. The importance of the semantic content of the article is that the Dadaists sought to go beyond the existing understanding of the world through phonetic, grammatical and semantic mechanisms of human speech. The main features of Dada were: disagreement with the accepted rules of art and the desire to break them; scandal, provocation, shock — shock the audience and the leitmotif of consciousness; chaos, anti-logic and irrationality, view as anti-art — art plant and equipment; use in the works of certain forms of nihilism as an extreme form of skepticism. This article describes the stages of development of digital art, which were based on the newly created group and their founders.Thus, digital art, is based on three fundamental concepts: 1) Random Access — (pseudo) non-deterministic, based on instructions algorithms offer the possibility of instant access to multimedia elements that can be rearranged (shuffle), seemingly endless combinations; 2) Virtual — a physical object is transformed into a virtual object or concept. The concept itself becomes tangible through virtualization / perception; 3) Interactivity — the viewer can take an active role in influencing and changing the work itself. Digital art can be defined as art that explores the computer, engineering, technology and digitally encoded information content as a tool for creativity and material. Digital content is defined as information material capable of becoming a conductor of the basic idea, act to send the message or send the main.Key words: digital art, modern, high technology, Dada, direction spearheading, telecommunicative technology group EAT.

Download
References:

1. Daniel G. Marcel Duchamp and his "Fountain". Why ordinary urinal is considered a major masterpiece of the 20th century. [Electronic resource] Access http://adindex.ru/publication/gallery/2011/04/19/64460.phtml free. — Caps. from the screen. — Jaz. rus. — Date of treatment: 21/02/2015

2. Ermakova I.N. Conceptualism. [Electronic resource] Access http://webcache.googleusercontent.com/search?q=cache:Sj4DAkffx7QJ:school-collection.edu.ru/catalog/res/501b2de3-6199-f145-4cb8-74212119ce58/view/+ &cd=6 &hl=ru &ct=clnk &gl=ru] free. — Caps. from the screen. — Jaz. rus. — Date of treatment: 21/02/2015

3. Degot E.K. Yuri Albert of Fluxus. [Electronic resource] Access http://os.colta.ru/art/projects/8094/details/19914/page1/ free. — Caps. from the screen. — Jaz. rus. — Date of treatment: 02/22/2015

4. Erokhin S.V. Digital Computer Art \ SV Erohin. — St. Petersburg .: Aletheia, 2011. — 188 p.

5. Krivushina E.K. Dadaism. [Electronic resource] Access http://www.krugosvet.ru/enc/kultura_i_obrazovanie/literatura/DADAIZM.html free. — Caps. from the screen. — Jaz. rus. — Date of treatment: 02/22/2015

6. Hanolaynen D.P. Computer art as a problem of the morphology of art: dis. candidate philosopher. Sciences: 09.00.04 \ Darya Pavlovna Hanolaynen. Petrozavodsk. 2014. 168 p.

7. Bonin Vincent. Collection of Documents Published by E.A.T. [Electronic resource] Access http://www.fondation-langlois.org/html/e/page.php?NumPage=237 free. — Caps. from the screen. — Jaz. Eng. — Date of treatment: 02/22/2015

8. Christiane Paul. Digital Art / Paul Christiane– London: Thames & Hudson, 2006

9. Knight John. Digital Art — Themes and Principles for Engagement / John Knight // Artech. 7th International Conference on Digital Arts (March 19-20, 2015). — Obidos, Portugal. — P. 61-68

10. Nake, F. Paragraphs on Computer Art, Past and Present. / F. Nake // CAT London Conference. — February 2010. — P. 55-63

11. Nechvatal Joseph. The Oulipo Group's Generative Word Games. [Electronic resource] Access http://hyperallergic.com/172995/the-oulipo-groups-generative-word-games/ free. — Caps. from the screen. — Jaz. rus. — Date of treatment: 02/22/2015

12. Noll, A. M. Computers and the Visual Arts / A. M. Noll // Design Quarterly. — № 66/67 (1967). — P 64-71.

13. Noll, A. M. The Digital Computer as a Creative Medium / A. M. Noll // IEEE spectrum. — Vol. 4, № 10 (1967) — P. 89-95.

14. Penny, S. Systems Aesthetics + Cyborg Art: The Legacy of Jack Burnham, 1999 / S. Penny; [Electronic resource]. — Access: http://www.sculpture.org/documents/scmag99/jan99/burnham/sm-burnh.shtml free. — Caps. from the screen. — Jaz. rus. — Date of treatment: 02/02/2015

15. Turning, A. M. Computer Machinery and Intelligence / A. M. Turning // Mind: a Quarterly Review. — Vol. LIX, № 236 (October 1950) — P. 433-460


About this article

Author:

Year: 2015


Editor-in-chief
Sergey Aleksandrovich
MIROSHNIKOV

Crossref
Cyberleninka
Doi
Europeanlibrary
Googleacademy
scienceindex
worldcat
© Электронное периодическое издание: ВЕСТНИК ОГУ on-line (VESTNIK OSU on-line), ISSN on-line 1814-6465
Зарегистрировано в Федеральной службе по надзору в сфере связи, информационных технологий и массовых коммуникаций
Свидетельство о регистрации СМИ: Эл № ФС77-37678 от 29 сентября 2009 г.
Учредитель: Оренбургский государственный университет (ОГУ)
Главный редактор: С.А. Мирошников
Адрес редакции: 460018, г. Оренбург, проспект Победы, д. 13, к. 2335
Тел./факс: (3532)37-27-78 E-mail: vestnik@mail.osu.ru
1999–2024 © CIT OSU