Shleyuk S.G.
EXHIBITION WORK AS AN EXAMPLE OF STIMULATING STUDENTS FOR ARTISTIC, RESEARCH AND PROJECT ACTIVITIES ^{[№ 4 ' 2023]}
In the last decade, there has been a rapid growth of exhibition spaces in Russia, the relevance of organizing exhibitions of contemporary art and design has increased. The teaching staff of the Department of Design of Orenburg State University acts as organizers and curators of various exhibition and exposition events of the city of Orenburg. It is not by chance that among the disciplines of the training direction “Design” the appearance of the subject “Exhibition and exhibition activity”, the competence, the purpose and objectives of which are associated with the acquisition of a complex of knowledge from students containing technologies and techniques for organizing demonstration and exhibition events for their subsequent application in the process of professional, creative demonstration and exhibition activities. Students receive theoretical and practical skills, including in the process of forming the next exhibition events of the department. The main exhibition projects supervised by the department related to various types of fine art and design history are considered. The article reflects the experience of organizing a number of permanent exhibitions, among which there are author’s thematic; group professional; group, including modern creative trends of young authors; group exhibitions-sales. The importance of participation in exhibitions of the teaching staff and students studying in the field of Design training is determined, the role of the curator is revealed. The participation and activity of students in the projects of the department is seen as an important component of the applied aspect of training, since it greatly contributes to the systematization, deepening and expansion of the theoretical knowledge obtained. The exhibitions organized by the department have different principles and techniques of organizational and exposition work, but they are all united by a flexible model of the organization of the educational process, focused on the creative self-realization of the developing personality of the student, the development of his intellectual and creative capabilities.
The proposed techniques and design principles bring students’ learning activities closer to real work. The results of the study expand knowledge about the methodological potential of professional expositions in the formation of a specialist in the field of design.

Smekalov I.V., Shleiuk S.G.
STYLING AND INTERPRETATION OF STYLE IN THE PROVINCE ^{[№ 5 ' 2015]}
The basis for the formation of artistic style are social, economic and political factors that make building a new system of views on the concept of beauty and harmony, is finding a new form that is fundamentally different from the standards and canons of the previous style. The most active style manifests itself in the centers of culture of the capital and major cities. Shape, material and artistic culture of great style, penetrating into the province and going through the adaptation period, naturally organically transformed by exposure to the environment. Is the formation of regional provincial style with its creative techniques and methods, local means of expression while maintaining the commonality shaped style system and the unity of the ideological and artistic content. This process requires extensive research. The article contains the analysis of the terminology of the concept of "style", the list of authors dealing with the problem of style formation. The process of penetration in the form of architecture, design and decorative arts of the elements, motifs, echoes of folk and national culture of a particular area. Determined that under the influence of environment, shape, material and artistic culture are transformed, enriched with elements of local traditions, in search of individual provincial artistic image. In fact, the process of stylization and artistic interpretation of the style. The process of penetration in the form of architecture, design and decorative arts of the elements, motifs, echoes of folk and national culture of a particular area. Determined that under the influence of environment, shape, material and artistic culture are transformed, enriched with elements of local traditions, in search of individual provincial artistic image. In fact, the process of stylization and artistic interpretation of the style. Regional provincial style is characterized by its heterogeneity. Here is the importance of social belonging architectural building or decorative object associated, including its geographical location within the village. Note that in the provincial structure is most often used not the whole set of artistic style methods, but only those that can be reproduced in the specific context of a specific material, that is, in the process of adaptation to the environment is natural selection of decorative elements.Every country town has its individual culture in the overall metasystem great culture of the country, the culture of style. In this particular value the province of art, which is why it is necessary to maintain and continue to develop.

Shleiuk S.G.
ARTISTIC INTERPRETATION OF THE STYLE OF THE DECORATIVE ELEMENTS IN THE PROVINCE (ON THE EXAMPLE OF ORENBURG) ^{[№ 5 ' 2015]}
The process of adaptation of the style in the province gives the possibility to reconstruct a more complete and accurate picture of the development of cultural and artistic treasures with regard to local specifics. The turn of XIX—XX centuries in the border multinational Orenburg was active in the construction of architectural monuments in art Nouveau style. Maintaining ideological stylistic content of modernity, erecting buildings Orenburg synthesized in a constructive and decorative filling local traditions with elements of the new style. Critical to the functional-structural and decorative-applied solution of architectural monuments provided in addition to local climatic conditions, social and national composition of the population, nature, local traditions — the identity of the particular customer, characterized by the type of building and its placement within the city. So, if in the construction of architectural structures the design part was done by a professional architect, as a rule, the building had good funding, was located in the Central part of the city, was often social, administrative functions, and its architectural and decorative solution was an artistic interpretation of the style, as close to the benchmark. Completely different level of style formation in the province is owned by private buildings, merchant houses, which are located at a distance from the center. Here are the basis of local construction and artistic traditions that persist for a long time almost unchanged, which gradually incorporated new styles applied decorative elements. On the material of modern architecture in the city of Orenburg in the article the comparative analysis and graphical reconstruction of decorative ornamental motifs of buildings of various types, located in the Central part and the periphery.

Vasilchenko A.A., Shleyuk S.G.
TYPOLOGICAL COMMUNITY AND DISTINCTIONS TRADITIONAL KNITTED SCARF OF SOUTH URAL AND VOLGA REGION ^{[№ 5 ' 2014]}
Questions typological community and regional peculiarities of the artistic-technological structure of traditional crocheted shawl of the southern Urals and the Volga region are connected with the consideration of the stylistic originality and artistic features crocheted shawl as a unique artistic phenomenon, which is inseparable from the history of development of art craft of knitting and special aesthetics of the material. However, a comprehensive art assessment of this phenomenon is practically not understood.

Rusakova T.G., Shleyuk S.G., Levina E.A.
COLLAGE ALS METHODE IM SYSTEM DER BERUFLICHEN AUSBILDUNG DER STUDENTEN-DESIGNER ^{[№ 5 ' 2014]}
The article is devoted to problems of training in the technique of collage as a creative method. Collage is considered as a method of sketching in painting and as an independent artistic creativity in the specific conditions of educational activity of art schools. The material is based on the study of the history and development of collage as an independent art technique in painting in professional art and as a method in the system of professional preparation of students — designers.

Vasilchenko A.A., Shleyuk S.G.
THE INDIVIDUAL AUTHOR'S METHOD OF TRANSFORMING AN ORENBURG LACE SHAWL IN THE ART OBJECT — A DECORATIVE PANEL ^{[№ 9 ' 2011]}
The article discusses the transformation of the artistic image of folk art and technology, the example of the traditional methods of down making in Orenburg region, into the individual author's method of open-work. It defines modifications of national product functions from utilitarian openwork scarf to an element that organizes the subject-spatial environment — the art-object. It is stated that the current attitude to the tradition should be built, above all, through understanding the specifics of artistic traditions and way of structural and technological foundations of arts and crafts.

^{[№ 9 (app.1) ' 2005]}

^{[№ 9 (app.1) ' 2005]}