Vestnik On-line
Orenburg State University december 23, 2024   RU/EN
Headings of Vestnik
Pedagogics
Psychology
Other

Search
Vak
Антиплагиат
Orcid
Viniti
ЭБС Лань
Rsl
Лицензия Creative Commons

August 2020, № 4 (227), pages 88-94

doi: 10.25198/1814-6457-227-88

Firsova A.V., Rakhimbayeva I.E. FEATURES OF INTERPERSONAL INTERACTION OF THE QUARTET CLASS STUDENTS IN THE PROFESSIONAL TRAINING PROCESSIn the professional training of violinists, violists and cellists, the priority belongs to the Quartet classes of music schools and universities. In the process of studying the Quartet creativity of composers, young specialists master various techniques of ensemble performance, the ability to listen to all the voices of the ensemble and their part in a joint sound. This aspect of interpersonal interaction required in the process of the teacher in the Quartet class, because it is an important part of the development of the string player student in the training process, which calls for a comprehensive study of the problem and the search for modern, efficient working methods, which is the goal of the study. We conducted a theoretical study. During the study, it was found that the Quartet ensemble is a single complex organism, all parts of which are consistent with each other. In the conditions of an ensemble, forms of joint activity and psychological compatibility of participants in a small group are manifested. It was also determined that the principles of equality, mutual understanding and consent prevail among the team members. The individuality of each member of the string Quartet is closely interrelated with the collective focus of professional activity. There is an inseparability of psychological aspects with performing ones. String Quartet as a model of interpersonal interaction between members of the ensemble has a number of specific differences, in the process of functioning of which forms of joint activity are manifested. The traditional arrangement of the Quartet members on the stage platform in a semicircle allows you to establish instant contact of partners, so that the interaction in the Quartet is closer and more active. This condition in practice can strengthen the mutual understanding of musicians. Therefore, the individual characteristics of each member of the Quartet are closely related to the ensemble.Key words: interpersonal interaction, Quartet class, self-reflection, psychological compatibility, musical performance.

Download
References:

1. Boronina T. I. Optimization of the lesson in the class of chamber ensemble: on the Material of classes in professional music schools of secondary education. Extended abstract of candidate’s thesis. Moscow, 2008, 160 p.

2. Bron, Z. N. On the intensification of the violinist training process// Z. N. Bron, F. Nechiporuk, Problems of complex creative education of a musician-performer (school-College-University). Novosibirsk, 1984. pp. 113-119.

3. Brushlinsky, A.V. the problem of psychology of the subject./ A.V. Brushlinsky, M. : Music, 1994, Pp. 144-180.

4. Bychkov O. V. Ono ensemble technique of the musician-performer/ Extended abstract of Doctor’s thesis. Saint Petersburg, 2005, 188 p.

5. Gorbov S. D., Novikov M. A. Short psychological dictionary — anthology. — M., 1974, 350 p.

6. Grishkova O. Yu. Text of the scientific article “Features of interpersonal interaction of musicians in a chamber ensemble” in the specialty “Psychology” from the journal “Modern problems of science and education” issue # 6/2013. Pp. 47-49.

7. Davidyan R. R. Quartet art / R. R. Davidyan. — Moscow: Music, 1984. — 270 p.

8. Zhuravlev A. L. psychology of joint activity in the conditions of organizational and economic changes/ Extended abstract of Doctor’s thesis. Moscow, 1999, 132 p

9. Krichevsky R. L. social psychology of a small group / R. L. Krichevsky, E. M. Dubovskaya. Moscow: Aspect Press, 2001, 318 p.

10. This Is Lukyanova.P. Structures of professional and communicative qualities of students of musical and performing universities in the class of chamber ensemble. Extended abstract of Doctor’s thesis. Yekaterinburg, 2006, 174 p.

11. Marchenko I. P. pedagogy of cooperation as the Foundation of interpersonal relations between a teacher and a student in music education / I. P. Marchenko, perfection of professional training of a teacher-musician. Inter-University. Susan Blackmore. articles’. Surgut: RIO-Surgpi, 2003, pp. 34-39.

12. Matyukhina O. I... Perceptual significance of nonverbal characteristics of a person in small groups with different levels of compatibility. Extended abstract of Doctor’s thesis. Moscow, 2003, 174 p.

13. Rubinstein S. L. problems of General psychology / S. L. Rubinstein. M.: Pedagogy, 1973. 324 P.

14. Salnikova M. V. Temperament as a musical and artistic phenomenon. Extended abstract of Doctor’s thesis. Saratov, 2008, 250 p.

15. Socio-psychological concept of a group subject: monograph. Well.M. Gaidar; Voronezh . State University. — Ed. Voronezh. Goss. UN-TA, 2013, 396 p.

16. Einstein, A. Some Musical Representations of the Temperaments / A. Einstein // Essays on Music. — N.Y .: Norton, 1956. — P. 119-129.

17. Fonagy L., Magdics K. Emotional Patterns in Intonation and Music. Zeitschrift fur Phonetik Sprachwissenschaft und Kommunikationsforschung, 1963, Bd. 16, pp. 293-326.

18. Homans G. The human group. New York, 1950, 516 p.

19. Katzenbach J., D. Smith The discipline of teams. Harward Business Rev, 1993.

20. Machlis J. The Enjoyment of Music: An Introduction to Perseptive Listening. W.W. Norton & Company.inc. New York, 1970, 501 p.

21. Riemann H. System der musikalischen Rhythmik und Metrik. 1.ipzig, 1903, 196 p.

22. Ruf W. Instrumental music Klangrede. Europaische Musikgeschichte / Herausgegeben von S. Ehrmann-Herfort, L. Finscher, G. Schubert. Kassel: Barenreiter-Verlag Karl Votterle GmbH & Co. KG, 2002, B. 1, pp. 499-550.

23. Scharlau U. Athanasius Kircher (1601-1680) als Musikschriftsteller. Ein Beitrag zur Musikanschauung des Barock. Marburg: Gorich & Weirshauser, 1969, 415 p.

24. Shepherd J., Virden P., Vulliamy G., Wishart I. Whose music? A Sociology of Musical Languages. Transaction Books. New Brunswick (U.S.A) and London (U.K), 1977, 300 p.


About this article

Authors: Firsova A.V., Rahimbaeva I.E.

Year: 2020

doi: 10.25198/1814-6457-227-88

Editor-in-chief
Sergey Aleksandrovich
MIROSHNIKOV

Crossref
Cyberleninka
Doi
Europeanlibrary
Googleacademy
scienceindex
worldcat
© Электронное периодическое издание: ВЕСТНИК ОГУ on-line (VESTNIK OSU on-line), ISSN on-line 1814-6465
Зарегистрировано в Федеральной службе по надзору в сфере связи, информационных технологий и массовых коммуникаций
Свидетельство о регистрации СМИ: Эл № ФС77-37678 от 29 сентября 2009 г.
Учредитель: Оренбургский государственный университет (ОГУ)
Главный редактор: С.А. Мирошников
Адрес редакции: 460018, г. Оренбург, проспект Победы, д. 13, к. 2335
Тел./факс: (3532)37-27-78 E-mail: vestnik@mail.osu.ru
1999–2024 © CIT OSU