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Парусимова Я.В.
Parusimova Y.V.
TO THE QUESTION OF "SCIENCE ART" IN MODERN AESTHETIC KNOWLEDGE.
The trend of convergence of art and science in the framework of the "Sciencе art" causes a lot of controversy and ambiguous estimates. The specificity of the Sciencе art as contemporary art with an interdisciplinary character and is aimed at creative interpretation of research excellence. The analysis revealed the point of convergence of science and art: the unity of means, the significance of the creative impulse, strengthening the cognitive functions of art. Tends of development of scientific and artistic practices from simple copying and reproduction of the active purposeful transformation of nature and living of the person. The specificity of art research involves reflection on the image of man as the Creator of a new reality. It was revealed that Sciencе art, are at the stage of its formation, combines scientific methods as means of knowledge with the traditional expression of the aesthetic experience in artistic images.
Key words: contemporary art, bio-art, techno art, digital art, transgenic art genomic art, biotech art.
Parusimova Ya.V.
PHILOSOPHICAL ANALYSES OF CATEGORY "SUFFERING": GNOSEOLOGICAL ASPECT
The problem of suffering research is regarded in this article. The particular its type - suffering, connected with world perception is considered here. It includes suffering from weakness and impossibility to cognize a world, and suffering from strength of knowledge. The conceptions "subject" and "object" of gnoseological suffering is examined in this article. Subject's openness is set by constant transcendention of its limits. The author pays attention not only to negative role of all suffering types, but to positive role too, including gnoseological suffering.
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Editor-in-chief |
Sergey Aleksandrovich
MIROSHNIKOV |
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