Zhaplova T.M., Kraynova A.G.
THE IRONIC INTERPRETATION OF IDYLLIC MOTIFS IN THE PLAYS BY I.S. TURGENEV ^{[№ 1 ' 2017]}
Ambiguity of the concept of irony in the European and Russian culture has always been a wide field of philosophical, psychological, literary interpretation, the copyright interpretations of ambiguous and controversial phenomena of reality, built on the reality of conflict and communication elements of romantic thought, surviving in the human mind. Considering the functional specificity of irony, realized in a literary text, as well as its objectives and the role exerted by the impact on the reader, the researchers measured their importance for the implementation of an ironic approach, used by Russian writers, representatives of various literary movements. The authors applied to the analysis of works of aesthetic mastermind sentimentalism late XVIII — early XIX century. N.M. Karamzin and representative realism of the second half of the XIX century I.S. Turgenev. Identified parallel possible to establish the fact of mock-ironic rethinking existing in N.M. Karamzin and “karamzinians” idyllic canon in light of manor life. In the article on pieces material I.S. Turgenev's “Breakfast at the leader” and “Month in the Country”, dedicated to the social and ethical issues and property noble circle deals with the problems of value in separating the positions of heroes, to discredit the romantic ideals of the democratization of the younger generation of sentiment. On the basis of the ironic subtext introduced by I.S. Turgenev's novels “Smoke” and “Fathers and Sons”, the authors identify the pairing of romantic irony and ironic attitude of the writer to the lost national complexion of Russia, the area of love and friendly feelings. This aspect of the analysis reveals the basic conflict between the opposites of social reality and idyllic picture of the elusive family home dispensation emotionally depressed I.S. Turgenev capabilities smile, irony and caricature. During the analysis of the ideological and artistic features of the continuity between the NM have been identified N.M. Karamzin and I.S. Turgenev, associated with a certain proximity of their worldview and individual aspects of creativity.

Zhaplova T.M., Tolkachev D.V.
GENRE OF IDYLL IN A CREATION OF N.M. KARAMZIN AND K.R. ^{[№ 1 ' 2017]}
In literary criticism, there are various approaches to the analysis of genre features sentimental idyll, the words in a mobile form, capable of reacting with the prosaic and poetic genres. By studying the types and specifics of the idyllic chronotope in Russian prose and poetry, the scientists reveal the relationship of the ideological and aesthetic positions inherent in the idyllic genre, with features of historical circumstances, a literary movement, creative method and spiritual principles of the era. Promising consideration idyll as rolling evolving genre, involving the presence of lyrical prose and structural properties, allows you to discover the similarities and differences in the work of writers, to draw a parallel between the essential elements in their works in the context of the literary movement and time. In the article on the example of prose and poetry, N.M. Karamzin, the poet K.R. (Grand Duke Konstantin Romanov) considered genre features idyll corresponding theoretical justification sentimentalism XVIII — early XIX century and realism of late XIX — early XX century. This aspect of the analysis reveals signs of an idyllic landscape in the genres of elegies, letters and stories, which are characterized in the system of leitmotifs, symbols and images, and closer to understanding the beauty categories and “sensual ideal” in the development of the authors of love, nature, philosophical topics in a variety of artistic material in prose and poetry. The analysis covered such components idyllic chronotope as a natural beginning of human unity with the elements, family love, life, close to nature, to achieve harmony, synthesis of reality and dream, picked their sentimental orientation, are equally relevant to the conflict in dramatic romantic prose N.M. Karamzin and lyrical background in realistic works in poetry K.R. According to the authors, in idyllic panoramic paintings and natural landscapes shown interest to writers of human psychology, the problem of the relationship of internal and external to the character of the hero through a connection with nature.

Zhaplova T.M.
THE PECULIARITIES OF BIOGRAPHIC TIME IN THE MANOR POETRY OF 19TH – BEGINNING OF 20TH CENTURIES ^{[№ 11 ' 2006]}
The article is devoted to the study of peculiarities of biographic time in the Russian manor poetry of 19th – beginning of 20th centuries. Realism, truth, absence of idealization in manor sketches, prevalence of critical or ironic pathos in the estimation of landowner and peasant life during pre-reform and reform years and during revolution changes are being considered as the most characteristic devices of creation of the "nobility nest" image.

Zhaplova T.M.
FEATURES OF MANOR SPACE IN THE POETRY OF XIX – BEGINNING OF XX CENTURIES ^{[№ 11 ' 2005]}
The features of manor space in the poetry of XIX – beginning of XX centuries are regarded in this article. Comparison of architectural and poetical elements are made here, also united tradition of manor locus creation as common cultural space is revealed in this article too.

Zhaplova T.M.
COUNTRY ARCHETYPE AS A SYMBOL AND METAPHOR IN POETS’ WORK OF THE PUSHKIN AGE ^{[№ 2 (app.1) ' 2005]}
The article studies symbols and metaphors of the Pushkin age poetry. The author revealed typical and new ways to create the metaphorical model of the nobility in Puskin’s and other poets’ works.

Zhaplova T.M.
SYMBOLIZATION AND METAPHORIZATION IN MANOR LYRICS OF A. FET ^{[№ 12 ' 2004]}
This work is devoted to revelation and studying of symbolic lyrics of A.A. Fet, where manor motives prevail. The general accent is made on symbolization and metaphorization as more characteristic method for atmosphere reconstruction of Russian manor, replying the author's intention to give up from everyday and concrete beginning in some poetical texts and to pass the perfume of "nest of the nobility" in romantic and lofty halo.

Zhaplova T.M.
SYMBOLIZATION, METAPHORIZA-TION IN MANOR LYRICS OF IVAN BUNIN AND K.R. ^{[№ 11 ' 2004]}
The system of images-symbols of I. Bunin and K.R., which were more demanded by them at creation of manor archetype at the end of XIX and the beginning of XX centuries, are regarded in this article. The comparison of their poetry with texts of their predecessor (such as A.S. Pushkin, I.S. Turgenev, Ivan and Konstantin Aksakovs' A.A. Fet) is passed here. The special attention is given to the borders of manor archetype.

T.M.Zhaplova
"THROUGH" TOPICS' EXPERIENCE IN THE WORLD LITERATURE AND ART ^{[№ 2 ' 2002]}
In the research Russian literature is studied by means of through topics, considering the "country" poetry as an example. This poetry is affirmed to be the linking part between the poets of the XIX th century different decades. Such poets as A.Fet, A.Tolstoi, N.Ogarev, I.Aksakov, I.Bunin work out new artistic methods of their "country" space thinning of, taking into account such Russian literature "golden" age wasters as A.S.Pushkin and others.