Stepanidina E.A.
DIALOGIC RELATIONS OF VOCAL AND PIANO PARTS IN LOVE SONGS OF NATIVE COMPOSERS OF THE MIDDLE OF XX CENTURY ^{[№ 9 ' 2007]}
This article is devoted to the regarding of chamber-vocal music of the middle of XX century as a dialogic system. At the first time different levels of dialogic relations in frames of note text are traced here and the general attention is given to interaction between vocal and piano parts. At the first time the correlation of vocal-piano and instrumental episodes foreshortened of dialogic relations in chamber-vocal lyrics is analyzed in this article.